Travis Scott

Artist · Verified

Hip-hop’s world-builder · Astroworld & Utopia · biggest solo rap tour on record · Cactus Jack.

#16Hub rank

20.8MYouTube followers

About Travis Scott

Jacques Bermon Webster II — born April 30, 1991, in Houston, Texas, known to the world as Travis Scott — is hip-hop’s premier world-builder. The rapper, producer, and Cactus Jack founder turned psychedelic trap into a universe fans could live in: the Astroworld mythology, the Fortnite milestone, the brand empire. A generation of artists works in the atmosphere he created.

The Houston roots are the soul. Scott grew up on the city’s chopped-and-screwed tradition, and the slowed-down, codeine-paced DNA of H-town runs through everything he has made since — even as he warped it into something psychedelic and new. Rodeo (2015) announced the vision; Birds in the Trap Sing McKnight (2016) delivered his first Billboard 200 No. 1 and the sound of an artist becoming a movement.

The Astroworld era was the phenomenon. Astroworld (2018) — named for the demolished Houston amusement park — turned an album into a universe: the carnival mythology, the tour, the aesthetic. It debuted at No. 1, and “Sicko Mode” became the defining rap single of its era. Travis didn’t release records; he opened theme parks.

The Fortnite concert was the milestone. In April 2020, his Astronomical event drew more than 27 million unique players into a digital avatar performance inside the game — a preview of where live music was heading, executed at a scale nobody had attempted. The future of performance, previewed in real time.

The Utopia chapter was the evolution. Utopia (July 2023) debuted at No. 1 on the Billboard 200 with 496,000 first-week units — darker, denser, more ambitious than anything before it. It earned a Best Rap Album nod at the 2024 Grammys (losing to Killer Mike’s Michael), extending a career tally of ten Grammy nominations without a win — a statistic that has become its own storyline.

The Circus Maximus tour was the coronation. The world tour ran 88 shows across five continents and closed in November 2025 with $265.1 million grossed and more than 2.1 million tickets sold — the biggest solo rap tour on record. The live show remains the legend: the rage, the energy, the mosh pits as rites of passage.

The Jackboys sequel was the posse cut. Jackboys 2 (July 12, 2025) doubled the original’s seven tracks to fourteen, rallying the Cactus Jack roster — Don Toliver, Sheck Wes, SoFaygo, Chase B — alongside GloRilla and 21 Savage. Lead single “2000 Excursion” set the tone: moody, rowdy, rage-infested.

The new album is the open question. Through 2026, Scott has been building his next solo record from scratch — making the beats himself, he told L’Officiel, “creating and pushing the sound.” The cited influences read like a dare: Parliament, Oasis, Van Halen, Don Toliver, Raphael Saadiq, Daft Punk. At the UEFA Champions League final in Budapest he wore a red iPod clipped to his belt and told reporters: “Gotta keep the new album safe.”

The Cactus Jack empire is the business. Founded in 2017, the label and brand became the most marketable aesthetic in rap: the Nike and Jordan collaborations, the 2020 McDonald’s meal, and — since June 2025 — the Chief Visionary Officer role at Oakley. The first fruit, Cactus Jack x Oakley Chapter 001, dropped September 24–25, 2026: three redesigned frames ($217–$314), a campaign directed by Nicolas Winding Refn starring Justin Jefferson, and a teaser rollout featuring Tom Brady, Jalen Hurts, Saquon Barkley, Jayden Daniels, and Odell Beckham Jr.

The Paramount deal is the next frontier. In July 2026, Scott signed a first-look agreement with Paramount Pictures through Cactus Jack to develop projects across film, TV, theater, and live shows — and he is already in front of the camera, playing a bard with some of the opening lines in Christopher Nolan’s The Odyssey. He contributed “The Plan” to Nolan’s Tenet (2020); now “When I’m Home,” with James Blake and Ludwig Göransson, has him openly chasing an Oscar. “I still need a GRAMMY, but I would love to take home an Oscar,” he told Variety.

The Astroworld Festival tragedy is part of the record. On November 5, 2021, a crowd crush at his Houston festival killed ten people and injured hundreds — a catastrophe that reshaped the conversation around concert safety and Scott’s career. Lawsuits followed; a grand jury declined to bring criminal charges in 2023. It remains the darkest chapter of the Cactus Jack story, and any honest account of the artist includes it.

The fashion influence is the uniform. The streetwear, the sneakers, the Cactus Jack aesthetic — a generation dresses like Travis, and the resale market treats his collaborations like currency. The influence is the atmosphere: the sound, the look, the universe.

The production is the signature. The dark, swirling beats — the pitched-down samples, the cavernous drums, the autotuned ad-libs (“straight up!”) stacked like architecture — made the Travis Scott sound instantly recognizable a decade ago, and it has never really left. The rage energy of the live show starts in the sonics: every record engineered to detonate in a stadium.

Previously covers Travis Scott because the rage never dies and the universe keeps expanding. The next world-building project’s already loading — keep the iPod safe.