Annelida

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Las Vegas experimental metal band on Manic Kat Records — they wrote their 2026 Unencumbered EP live on Twitch.
About Annelida
Las Vegas experimental metal band on Manic Kat Records — they wrote their 2026 Unencumbered EP live on Twitch.
About this creator
Annelida is the weird band on Manic Kat Records — and they wear the title like a badge of honor. Hailing from Las Vegas, this experimental metal outfit crashed the party in 2022 with their debut EP Lord Leech and its breakout single "Bare Bones," announcing themselves as a band allergic to categories: jagged mathcore edges, progressive hardcore velocity, and alternative rock songcraft, all colliding at full speed. Then they did something no heavy band had dared: they wrote their next EP live on Twitch, in front of everyone.
Annelida is the weird band on Manic Kat Records — and they wear the title like a badge of honor. Hailing from Las Vegas, this experimental metal outfit crashed the party in 2022 with their debut EP Lord Leech and its breakout single "Bare Bones," announcing themselves as a band allergic to categories: jagged mathcore edges, progressive hardcore velocity, and alternative rock songcraft, all colliding at full speed.
The 2024 debut full-length, Garage Honey & the Bar Fly Mutiny, turned underground buzz into critical acclaim, with Decibel Magazine and Kerrang both taking notice of the dizzying riffs and frenzied breakdowns. But somewhere in that album cycle, something shifted. As vocalist Kevin Diamond puts it, the band stopped trying to be definable at all — abandoning subgenres entirely for a simpler creed: "this is an experimental heavy band." No categories, no expectations.
The 2026 Unencumbered EP is the sound of that philosophy in action: six notes looped through pedals until they barely sound like guitar anymore, synths and clean vocals where the old rulebook would have forbidden them, electronic drums and keys woven into the brutality. It's a rebirth record — slower, spacier, more spacious — that somehow hits harder for the restraint.
What makes Annelida a genuinely modern band is how they make the music. In March 2026, they streamed the entire writing and song-creation process for the Unencumbered EP live on Twitch and VYB — letting fans watch songs evolve from first riff to finished track, tools and all. It's a radical transparency most bands would never risk: the sausage factory, broadcast. For a generation raised on streams, it's also the most honest possible relationship between a band and its audience.
Plenty of musicians stream. Ronnie Radke, Matt Heafy, Ryan Kirby — the list of metal and hardcore names who turned livestreaming into a stage is long and growing. But performance streams are still performances: the songs already exist, the show is the product. Annelida did something nobody else was doing. They streamed the part of the process that's supposed to stay hidden — the false starts, the arrangements that don't work, the riff that sounds terrible for three hours and then suddenly becomes a song. On the Chord Progression Podcast, Kevin Diamond broke down exactly why: give the audience the process, and the finished record lands differently. You don't just hear the song afterward. You watched it get born.
The multi-platform strategy matters, too. Annelida doesn't stream in one place — they hit Twitch and VYB at the same time, treating discovery as a distribution problem rather than a loyalty test. A band from the Vegas underground can't afford to be precious about platforms; the audience is wherever the audience is. That pragmatism runs through everything they do, from the pedal-chain guitar tones to the electronic drum programming: use the tools that work, skip the orthodoxy about which tools you're supposed to use.
Lineage-wise, the band sits in the company of the Dillinger Escape Plan, Converge, and American Standards — outfits that treat heaviness as an art form and chaos as a compositional tool. But where plenty of mathcore-adjacent bands ossify into technical exercises, Annelida keeps chasing the thing that made the genre dangerous in the first place: the feeling that the song could fall apart at any second and chooses not to. The synths and clean vocals on Unencumbered aren't a softening. They're a widening of the blast radius.
Led by the core duo of Kevin Diamond and Fat Tony Graves, the live show is, by all accounts, a face-melting experience: high-octane, relentless, and completely committed. And the Las Vegas context matters — this is a city with a real heavy-music underground, from DIY rooms to bigger stages, where bands have to earn every pair of ears. Annelida earned theirs by being the strangest band in every room they played.
Why people watch: because this is heavy music being invented in front of you. The streams pull back the curtain, the records reward the attention, and the weirdness is the whole point — Annelida isn't trying to fit in anywhere, and that's exactly why they stand out. Find them everywhere as @annelidamusic: Twitch, YouTube, Instagram, and X for the streams and the chaos; Spotify and Apple Music for the catalog.
There's a deeper reason the streaming experiment matters beyond one band. Heavy music has always had a mystique problem: the records sound effortless in their violence, and the labor behind them stays invisible. Annelida inverted that. By letting fans watch a song get stuck, get argued over, and get rebuilt, they turned the audience from consumers into witnesses — and witnesses become evangelists. It's the same logic as a chef's-table kitchen or an open studio session, applied to a genre that historically guarded its process like a trade secret. The Vegas band that streams its homework isn't just making an EP. It's making a case for how underground music survives the attention economy: not by being louder than everyone else, but by being more honest.
Signature video
The Chord Progression Podcast sits down with Kevin to break down how Annelida wrote an entire EP live on Twitch — the process, the tools, and why they broadcast the whole thing.
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